Appearance Versus Reality in Tennessee Williams The Glass Menagerie Es

Appearance Versus Reality in Tennessee Williams The Glass zoo In any Tennessee Williams play, nothing is as it seems. Everything represents more than itself. Williams creative mathematical function of symbols creates a drama that far exceeds the apparent or surface level. Williams himself admits that craft is made out of symbols the way your body is made out of the merry tissue, and that symbols are nothing but the natural speech of drama . . . , the purest talking to of plays . . . Sometimes it would take page after tedious page of exposition to come out across an idea that could be said with an object or a gesture on the lighted stage (Demastes 174). The reader must draw not only what appears to be just a needed prop or dialogue, but also the reader has to project beyond the self-evident to understand the full impact of the symbols Williams uses. He controls every aspect of his plays by giving very precise stage directions. He is the god of his work. He directs every aspe ct as if he is afraid to turn lose any control unless it becomes something else than he wills it to be. In The Glass Menagerie, Williams uses many symbols that cannot full be retained by the reader in just angiotensin converting enzyme reading of the play. The Glass Menagerie is a play about a dysfunctional family during the 1930s and how they survive in their own world of reality. all the same the characters themselves are symbols of a deeper meaning for example, Amanda Wingfields name itself is revealing. Amanda contains the word man, and she has to play the situation of the man and the woman of the house since the father deserted the family long ago. stringent examination of the last name Wingfield gives the reader additional clues. The Wingfields are very taking life as it comes to them, or, in... ...orks CitedDemastes, William D. Realism and the American Dramatic Tradition. Tuscaloosa, AL U of Alabama P, 1996.Kolin, Philip. Tennesse Williams A Guide to Research and Perfo rmance. Westport, CT Greenwood, 1998.Scanlan, Tom. Family, Drama, and American Dreams. Westport, CT Greenwood, 1978.Sievers, W. David. Freud on Broadway, A History of Psychoanalysis and the American Drama. unfermented York Hermitage House, 1995.Weales, Gerald. Tennessee Williams 1914-. Contemporary Literary Cristicism. 21 Vols. Ed. Dedria Bryfonski and Phyllis Carmel Mendelson.DetroitGale,1978.471.Williams, Tennessee. The Glass Menagerie. The Bedford Introduction to Literature Reading, Thinking, Writing. fifth ed. Ed. Michael Meyer. Boston Bedford/St. Martins, 1999. 1864-1908.Work ConsultedWilliams. Edwina Dakin. Remember Me to Tom. New York Putman, 1963.